"Met superstar Jonas Kaufmann was a vocally splendid Faust. Marina Poplavskaya's sound was shimmering, plush, and penetrating. René Pape's Méphistophélès was all suavity and calculation," raved The New York Times when Des McAnuff's new production premiered at the Met last week.
"Rarely has that score sounded more captivating than in the rhapsodic account by the Met orchestra under the guidance of the young conductor Yannick Nézet-Séguin" (Associated Press).
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